films
DADA DO JAJA - Absurd Under War In Yugoslavia & Israel
Titre Original | DADA DO JAJA - Absurd Under War In Yugoslavia & Israel |
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Titre traduit | |
Réalisateur | OHAION Tali |
Distribution | Israeli Films |
Production | |
Année | 2002 |
Format | |
Durée | 40' |
Langue | Heb. st. Ang. |
Musique | |
Distinction | |
Interprètes | |
Résumé | The movie is a personal journey to Serbia because of the death of my Yugoslavian boyfriend who had immigrated to Israel. The movie focuses on wartime absurdness of reality in two disciplines - cinematography and theatre, in Yugoslavia and in Israel [1997-2002]. Absurd, surrealism and grotesque are streams of art which developed after the world wars due to the frustration of life after those traumas. In the cinema the movies of the genius directors Emmir Kusterica and Haim Busaglo are examples of surrealism in wartime. In the Israeli theater there is a trend to produce plays of the theater of the absurd, some of which are classics such as those of Harold Pinter. In Yugoslavia many original plays which are absurd, satirical, cynical and with black humor are produced. It seems that due to the ethnic mixture in Yugoslavia and in Israel, there are influences of different cultures and religions on the musical discipline. The music of Goran Bregovich, as he himself says, is very frankensteinish because it is achieved by elements that are disharmonic. The paradoxical fact is that in the near past Yugoslavia was a communist and an atheist country, where there was no significance to religion, whereas nowadays all wars are caused by religion and nationalism. The question that must therefore be asked: is it not possible to be "Frankenstein" in the political reality as well as in the arts? |
Diffusion | |
Lien film public | |
Lien VOD membres | Login |
Droit | 0 |
Festival | Belgrade International Documentary Film Festival |
Genre | Documentaire |
Auteur du Commentaire | |
Commentaire d'Imaj |
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