films
TZULAM AL YEDEY YITZHAK (Filmed by Yitzhak)
| Titre Original | TZULAM AL YEDEY YITZHAK |
|---|---|
| Titre traduit | Filmed by Yitzhak |
| Réalisateur | PINHASOV Limor |
| Distribution | Israeli Films |
| Production | Kaftori |
| Année | 2009 |
| Format | 2 DVD |
| Durée | 50' |
| Langue | Heb. st. Ang. |
| Musique | Ophir LEIBOVITCH |
| Distinction | |
| Interprètes | |
| Résumé | Une vieille boîte est découvert, à l'intérieur il y a des douzaines de petites boîtes jaunes. elles ont tous été marqués 'Yitzhak' à la main. Ce sont des films de 8 mm, chaque film dure trois minutes. Ensemble, ils représentent près de 10 heures d'images d'archives, des films d'un monde différent et en quelque sorte oublié - les années soixante - les visages, les fleurs, les paysages vides du tout nouvel Israël. An old box is opened. Dust spreads allover. Inside there are dozens of small yellow boxes. They have all been marked 'Yitzhak' by hand. These are 8 mm films, each film is three minute long. Together they comprise almost 10 hours of old footage: films from a different and somehow forgotten world - the sixties -the faces, the flowers, the empty landscapes of the recently born Israel. Some would say these were "the years of innocence". What can we learn about that man today? How did he perceive the objects caught by his camera? His friends, his family, his first trips oversee? The Queen of England riding her horse, the game parks of Africa, the empty streets of Tehran? How much did he enjoy the actual task of filming? What part did it have in his life? What do the people who were filmed back then think and feel today when they see, for the first time, how they were caught by the moment 30 years ago? Can we, as observers, relate today to the man who shot those films? Is it relevant at all, that the man who held the 8 mm camera was once the beloved prime minister of Israel? |
| Diffusion | |
| Lien film public | |
| Lien VOD membres | Login |
| Droit | 0 |
| Festival | Jerusalem FF 2009 |
| Genre | Documentaire |
| Auteur du Commentaire | |
| Commentaire d'Imaj |
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